Some of My Personal Influences
I believe
that a good music education as well as a good comprehensive general education
should be a birthright to all people. I think that when we as teachers prejudge
students based on ability/disability, ability to speak English, family income,
social status, race and students’ religious beliefs we do them and ourselves a
great disservice.
My
grandmother was deaf and yet she won a piano playing contest. I have taken
violin lessons from a woman who is deaf and has to read lips sometimes in order
to communicate. She was even trained in the Suzuki method and has excellent
sight singing and ear training skills. Her playing is absolutely beautiful but
many people have overlooked her talents as a soloist because of her deafness. I
had a friend in college whose motorized wheelchair was incorporated into his costumes.
He was a knight on a horse and in another show he was a wizard on a cloud.
Audience members marveled at how we could afford an expensive motorized prop in
our shows.
I am
also a big believer in music therapy. I’ve read some of Nordoff and Robbins
books as well as others. I would like to incorporate its practices as needed
into my classroom. I have researched autism and read texts by Uta Frith, Oliver
Sacks, Jasmine Lee O’Neill, Temple Grandin and others. I have had some
opportunities to observe autistic individuals in educational settings.
My
experiences living abroad has also given me insight into what it is like to
live in another culture and how difficult it can be to learn to think and speak
in another language. I have used this experience to encourage ESL students to
feel more confident in their own intelligence. If I had trouble learning French
and assimilating with my own intellectual gifts then why would I think any less
of a student in my charge who is having the same issues in learning English and
living in America.
I recently
volunteered to tutor music students at Holyoke High School and volunteered at
my church with youth groups and these positive experiences have helped solidify
my decision to work with middle school and high school students. I have come to
realize how much my opinions are valued by young students. I know how important
it is to marry technical critiques with genuine praise and affection.
I have been told by some well-meaning people
that with my background I could easily teach in areas like Westport and while
there is nothing wrong with teaching there I don’t think that I would be
especially useful. Wealthy school systems can always get music teachers with
skills like mine. Even if the school didn’t want me these students could pay
for private lessons from someone like me because their parents can pay for it.
I want to feel useful. I want a purpose driven life. When I volunteered in
Holyoke I saw a first-rate program in a poor, racially diverse community where
few people go to college. The music teacher there, Mr. Todd told me stories of
homeless children who wanted to look like everyone else in the choir so he
would let them borrow black magic markers so they could color in their sneakers
to look like black shoes. These kids didn’t do it because he made them do it,
they did it because belonging to the school choir was the only family they had
and a sense of belonging meant that much to them. Mr. Todd created that
environment. I want to help students. Most of them will not become the next
Renee Fleming but that really isn’t important to me. I want to change lives. I
want to build self-esteem through a challenging music program. I want to get
kids to apply to college because I was one of the teachers that really cared
about them. I remember my music teacher in high school Mrs. Tamagini who taught
kids who had troubled home lives and gave them the love that they needed and
was always willing to listen to them. I remember seeing a student who was tone
deaf sing a brief solo in public with the loving encouragement of this woman.
The tone-deaf student was unlikely to ever become a singer and might not ever
learn to play any instrument later in life but she had the bravery to try
something new and not be afraid to fail. Even if she became an accountant, I
believe that she is probably a more well-adjusted accountant because of that
experience with public performance.
I want to
become a music teacher in the schools because I want to change lives. I want to
be the teacher that troubled students stay in school for. I want to be the
teacher that vulnerable students confide in. I believe the best music programs
marry a good solid music program of learning with positive social interactions
and teamwork.
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